50,84 €
56,49 €
-10% with code: EXTRA
An Introduction to Film Analysis
50,84 € 
- We will send in 10–14 business days.
An Introduction to Film Analysis is designed to introduce students to filmmaking techniques while also providing an invaluable guide to film interpretation. It takes readers step by step through:-the basic technical terms-shot-by-shot analyses of film sequences-set design, composition, editing, camera work, post-production, art direction and more-each chapter provides clear examples and full colour images from classic as well as contemporary filmsRyan and Lenos's updated edition introduces stud…
56.49
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- Author: Michael Ryan
- Publisher: Bloomsbury Academic
- Year: 2020
- ISBN-10: 1501318543
- ISBN-13: 9781501318542
- Format: 15.8 x 23.2 x 1.7 cm, minkšti viršeliai
- Language: English
- SAVE -10% with code: EXTRA
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Description
An Introduction to Film Analysis is designed to introduce students to filmmaking techniques while also providing an invaluable guide to film interpretation. It takes readers step by step through:-the basic technical terms
-shot-by-shot analyses of film sequences
-set design, composition, editing, camera work, post-production, art direction and more
-each chapter provides clear examples and full colour images from classic as well as contemporary films
Ryan and Lenos's updated edition introduces students to the different kinds of lenses and their effects, the multiple possibilities of lighting, and the way post-production modifies images through such processes as saturation and desaturation. Students will learn to ask why the camera is placed where it is, why an edit occurs where it does, or why the set is designed in a certain way.
The second section of the book focuses on critical analysis, introducing students to the various approaches to film, from psychology to history, with new analysis on postcolonial, transnational and Affect Theory.
New to this edition is a third section featuring several in-depth analyses of films to put into practice what comes before: The Birds, The Shining, Vagabond, In the Mood for Love, Before the Devil Knows You're Dead.
EXTRA 10 % discount with code: EXTRA
50,84 €
56,49 €
We will send in 10–14 business days.
The promotion ends in 22d.22:09:37
The discount code is valid when purchasing from 10 €. Discounts do not stack.
- Author: Michael Ryan
- Publisher: Bloomsbury Academic
- Year: 2020
- ISBN-10: 1501318543
- ISBN-13: 9781501318542
- Format: 15.8 x 23.2 x 1.7 cm, minkšti viršeliai
- Language: English English
An Introduction to Film Analysis is designed to introduce students to filmmaking techniques while also providing an invaluable guide to film interpretation. It takes readers step by step through:
-the basic technical terms
-shot-by-shot analyses of film sequences
-set design, composition, editing, camera work, post-production, art direction and more
-each chapter provides clear examples and full colour images from classic as well as contemporary films
Ryan and Lenos's updated edition introduces students to the different kinds of lenses and their effects, the multiple possibilities of lighting, and the way post-production modifies images through such processes as saturation and desaturation. Students will learn to ask why the camera is placed where it is, why an edit occurs where it does, or why the set is designed in a certain way.
The second section of the book focuses on critical analysis, introducing students to the various approaches to film, from psychology to history, with new analysis on postcolonial, transnational and Affect Theory.
New to this edition is a third section featuring several in-depth analyses of films to put into practice what comes before: The Birds, The Shining, Vagabond, In the Mood for Love, Before the Devil Knows You're Dead.
-the basic technical terms
-shot-by-shot analyses of film sequences
-set design, composition, editing, camera work, post-production, art direction and more
-each chapter provides clear examples and full colour images from classic as well as contemporary films
Ryan and Lenos's updated edition introduces students to the different kinds of lenses and their effects, the multiple possibilities of lighting, and the way post-production modifies images through such processes as saturation and desaturation. Students will learn to ask why the camera is placed where it is, why an edit occurs where it does, or why the set is designed in a certain way.
The second section of the book focuses on critical analysis, introducing students to the various approaches to film, from psychology to history, with new analysis on postcolonial, transnational and Affect Theory.
New to this edition is a third section featuring several in-depth analyses of films to put into practice what comes before: The Birds, The Shining, Vagabond, In the Mood for Love, Before the Devil Knows You're Dead.
Reviews